Model
Quested Q212、Quested Q112、Quested H108
SARM West Studios, formerly known as Basing Street Studios, stands as one of the most iconic and historically significant recording studios in the UK. Nestled in the heart of Notting Hill, London, the studio was originally established by Island Records founder Chris Blackwell and quickly became a creative hub for groundbreaking artists throughout the 1970s and beyond.
In 1982, the studio entered a new era when it was acquired by legendary producer Trevor Horn—often referred to as “The Godfather of the 1980s sound”—and his wife Jill Sinclair. It was then renamed SARM West Studios, marking the beginning of a golden age that would blend musical innovation with technical excellence.
The studio’s legacy is deeply intertwined with some of the most celebrated recordings in popular music history. In 1975, Queen tracked parts of their timeless hit “Bohemian Rhapsody” here, as well as the epic “The Prophet’s Song.” Two years later, they returned to SARM to record another global anthem—“We Are the Champions.” These sessions captured not only Queen at their creative peak, but also the studio’s unique ability to inspire and accommodate ambitious production techniques long before the digital era.
SARM West went on to become a magnet for major artists across multiple generations. Over the decades, it has hosted sessions for Bob Marley, Led Zeppelin, The Rolling Stones, Madonna, Seal, Frankie Goes to Hollywood, and many more. The studio became synonymous with bold sonic experimentation, high production standards, and a culture of pushing boundaries—qualities that were deeply embedded in Trevor Horn’s production ethos.
At its core, SARM West Studios was more than just a recording facility—it was a crucible of creativity that reflected the evolving landscape of music production. With its blend of rich heritage, technical sophistication, and iconic output, it remains a lasting symbol of how a well-designed studio environment can shape not only individual records, but entire eras of music.
